Archive for ◊ 2009 ◊

24 Dec 2009 Vegetarian Fancy Mac & Cheese

This is my vegetarian version of a recipe that was originally posted by The Poineer Woman.

Prep Time: 20 Minutes Cook Time: 15 Minutes Difficulty: Easy Servings: 12
Ingredients

Mac and Cheese

Fancy Mac & Cheese

  • 4 cups Macaroni
  • 8 Tablespoons Butter
  • 2 whole Medium Onions, Cut In Half And Sliced Thin
  • 1 package GimmeLean Sausage Substitute
  • ¼ cups All-purpose Flour
  • 2 cups Whole Or 2% Milk
  • ½ cups Half & Half
  • 2 whole Egg Yolks, Beaten
  • Salt & Pepper (to Taste)
  • ½ cups Grated Gruyere Cheese
  • ½ cups Grated Fontina Cheese
  • ½ cups Grated Parmigiano Reggiano Cheese
  • 4 ounces, weight Chevre (soft Goat Cheese)
Preparation Instructions

Preheat oven to 350 degrees.

Cook macaroni for half the time of the package instructions. Drain and set aside.

Fry GimmeLean until slightly, but not overly, crispy. Drain on a paper towel.

Melt 4 tablespoons butter in a skillet and saute onions over medium-low heat for 10 to 12 minutes, or until golden brown and soft. Set aside.

In a pot, melt 4 tablespoons butter. Sprinkle in flour and whisk to combine. Cook, stirring constantly, over medium heat for 1 minute. Pour in milk and half & half, then cook for 3 to 5 minutes or until thick. Reduce heat to low. Add salt & pepper to taste. (Do not undersalt!)

Beat egg yolks and drizzle 1/4 cup hot mixture into the yolks, stirring constantly. Stir to combine. Pour egg mixture into sauce and cook for another minute.

Add cheeses and stir until melted. Add onions and soysage and stir. Taste for seasonings and add more salt if needed. Add cooked macaroni and stir to coat.

Pour into a baking dish and bake for 15 to 20 minutes or until sizzling and hot.

16 Dec 2009 Imagine Community
 |  Category: The Pottery Business  | Tags: , , , , , , , ,  | Comments off

The studio that I work at is a wonderful place called Mudfire.  It’s an open studio where the artists can come and work whenever we want to.  But it’s much more, it’s also an open community where people share ideas, techniques, supplies, dreams and part of their lives.

When teaching new members how to clean up, Erik, one of the owners has said “think of this place as a state park; you want to leave it a little bit better than you found it.”  Not only is the studio very clean but, as is the state park, it is a place of wonder and joy and adult fun.  I don’t think I’ve ever been there when I’ve not heard laughter.  It’s like a playground for adults.

The other day I was trimming some pots on a wheel that was situated next to my friend Marci.  Marci is a woman filled with knowledge about art and wisdom about life and she is happy to share.  After many years of creating she is still always experimenting with glazes and slips, trying to get just the right effect.  Since we were both trimming I told her not to worry about sweeping the floor as I would do it when I swept up my scraps.  As I was sweeping Pete, who was sitting on my other side, started washing down the work bench, since he was doing his area he just continued on to my space also.  Nancy seemed to be done working at the same time and mopped around her wheel and Pete’s and I’m sure someone cleaned up something of Nancy’s while cleaning their own space.  I’ve worked in teams in offices and not seen such a display of teamwork and sharing.  It is a community and I love it. The world would be a better place if more communities functioned as such.

03 Dec 2009 Tis Better…
 |  Category: The Pottery Business  | Tags: , , , , , , ,  | 2 Comments

Thanksgiving is over – I hope everyone had a good one- and now the holiday shopping season is upon us.  I’m a bit of a minimalist which is hard on me as someone who creates things to share with others.  Of course it’s easy to justify functional pottery, it has at least two uses, one is its intended function, and the other is its beauty or interest to the user.  But how do I watch The Story of Stuff and then make stuff?  For me the justification comes from how art makes us feel and think.  Flowers are beautiful to look at, often their fragrance is a delight but they also tend to make me think about the world and how I want to care for my habitat, our planet.  I hope my pottery has a similar effect.  I’d like to hope that once in a while someone will look at one of my pots and remember that it was once a lump of dirt.  The piece of art before them was created by someone’s hands, imagination, technical ability, and passion.  It is my desire that people will consider giving more handmade items this holiday season.  Giving a one of a kind, artfully crafted gift often shows more thought and caring for the receiver, the local economy, the environment and/or the soul of the giver.

As much as I would love for everyone to buy my pottery, the more important seed that I would like to plant is for people to really take time to consider the gift they are giving.  Consider whether grandma really wants a new sweater from a department store or would she rather have a nice, relaxed dinner with you.  Maybe she really does need a sweater, would she like one that was handmade with care or one that was mass produced in a dusty factory?  Which one shows your feelings about her more?  I know it’s not always convenient or even possible to buy hand made or socially conscious products but each time we make the effort we are doing good in so many ways.

18 Nov 2009 Telephone Factory Art Show
 |  Category: Shows and Events  | Comments off

tfasOn Dec 5th and 6th I’ll be participating in the 14ht annual art show at the Telephone Factory Lofts. Last night I got to meet my host, Sunny  and today (via email) the painter who is sharing the space and his wife. The loft is wonderful, it has lots of windows, (art loves natural light) and is very open yet warm. I couldn’t ask for a better location, it’s the first space that you come to when you walk in the door. Sunny is very excited about being a host and is trying to get a DJ to help make it a party. She’s great, inviting and has a cute dog named Hero, who couldn’t like that?
The painter is Don Thacker whose work and attitude I really admire. I’m hoping I don’t spend all my earnings on his work. Don donates a portion of his proceeds to environmental causes that are important to him and coincidentally to me too.  Don’s wife Kate is a culinary student who is planning to share her expertise with us.
Good food, wine, music, art, and people.  Who could ask for more?  Come on over and hang out with us.

11 Nov 2009 Chip Off the Ol’ Potter
 |  Category: The Pottery Business  | One Comment

The life of an artist can be fun, exciting, interesting and highly fulfilling.  But, just like everyone else’s job, it also comes with its share of frustrations. That’s what this pot is about.

ChipPot1This pot was inspired by a frustrating experience. It doesn’t matter what the frustration was, the important part was that it was there, and I was unhappy and having doubts about my chosen career. Artists see a good deal of these frustrations, some are financial, and some are driven by the act of trying to get ideas out of our heads and into our medium of choice.  Some times the frustrations are with the silly things the government does, like funding a Bridge to Nowhere while cutting funding for the arts in schools. And sometimes it’s frustration with ourselves, breaking a pot or not having a camera available when a great picture is there in front of us waiting to be shot.  The chips in the dark part of the pot are about all of these frustrations chipping away at the foundation of who I am.  As the eye moves up the pot we see the chips lessening as the colors brighten. This is showing my resolve to rise above the dark and the chipping into a better place of peace and happiness.

27 Oct 2009 What is Success?

I was recently invited to exhibit my work in at the Artisans @ The Etz show in Marietta, GA. While it feels really good to be asked to exhibit as opposed to me asking if I can exhibit I feel like this is only one stepping stone to achieving success; at least my opinion of my own success.
I recently read “The Artist Way” by Julia Cameron; she asks questions about success and what event or events will have to happen before we consider ourselves successful as artists. For me, I’m not sure what those events will be. Don’t get me wrong, I already feel highly successful, but I’m not content to rest on certain events as a measure. I don’t know if I ever will. I enjoy continually setting new and higher goals for myself. I think it’s a good practice to think about what success looks like to us, in various forms – work, relationships, fun…
What does success mean to you and what signs show you that you are there?

11 Oct 2009 Asheville

“Do you think you can go for three days without working?” That was the question that I hesitantly answered “yes” to, knowing how busy I would be in October. Yet I acquiesced for a long surprise weekend. I wasn’t disappointed and although I didn’t put my hands in any wet clay or glaze I still did some work (sshh, don’t tell): I became further inspired. We went to Asheville.

Jonas Gerard Inspired Bowl

Jonas Gerard Inspired Bowl

For my readers that are not familiar with the area, Asheville is a very cool city situated in the beautiful mountains of western North Carolina. Wherever one looks in Asheville it is easy to find signs that quality of life is important to the residents and the people who built the city. I noticed a high population of Prius drivers and a low population of chain stores & fast food franchises. I did see many restaurant menus that offered local, organic food. Portland, OR is the only other city I’ve been to where organic food choices are so prevalent. I saw lots of bumper stickers promoting biodiesel and local farms.
Asheville is also known for its arts district. As the home of Highwater Clays one would expect a large number of ceramicists but it boasts many artists of all media and is very well known for its music scene. We spent most of the day on Saturday exploring the River Arts District. This is an area where artists have reclaimed old warehouse & factory spaces for their studios and galleries. These are not highly finished galleries but places that remind us of their histories and that are build with a solidness that speaks of pride in craftsmanship. I was almost as enthralled looking at the red brick walls and imagining their stories as I was with looking at the artwork displayed on the walls. One of my favorite art spaces was Phil Mechanic Studios. This is a four-story warehouse, great for getting joyfully lost enjoying paintings, pottery, music and chicken launchers. Yes, chicken launchers. The chicken launcher is a really cool sculpture that speaks to issues like mass production and excess; I highly recommend seeing it. The studio space also has a wonderfully comfortable library. As it was a dull, cool, rainy day it was tempting to pick a good book off the shelf and just curl up. But we had more art to experience.
While we were there I had to go to Highwater Clay just to poke around. They have a huge showroom with lots of toys for potters and a great selection of books, though I was annoyed at the number of books wrapped in plastic so shoppers can’t leaf through them and determine whether they want to spend $25 – $50. After all, even Amazon lets you read a few pages before deciding to purchase.
I did buy a few items and while I was checking out they got all excited that I live in Atlanta. “Do you know we have a distributor there?” I told them I shop at Atlanta Clay frequently. It was nice to know that the person checking me out knew enough about the company and cared enough to help me to support my local clay arts supply store.
It was very nice to see the work and work spaces of many of the potters who’s work I admire and who I’m friends with on Facebook. One of my favorite studios to visit was “The Potter’s Mark.” Eileen and Marty Black are very warm, welcoming and funny people. They let me poke around in the studio and talked to me about how crazy it is to work with copper red glaze. Marty was firing the gas kiln on Saturday and I regret not asking him if I could tag along on one of his trips outside to check on it. He is the kiln sitter and must check the kiln every 30 minutes while it is firing just to be certain that everything is functioning properly. Their passion for their work is evident in their attitudes and their art. I feel richer for having met them and for knowing that we are in the same community albeit many miles apart.
Of the painters I saw Jonas Gerard may have inspired me the most. He is very prolific because he paints to music and can produce quite a few vibrant, abstract works every week. We missed his demonstration but were still enthralled with his work. I went home and glazed a bowl based on the inspiration he provided.

23 Sep 2009 Marketing Your Art

This past Sunday I attended a wonderful three hour workshop entitled “Marketing Your Arts” which was hosted by the Atlanta Glass Art Guild and presented by Kathy and Todd Blandin. Kathy is the director of the Sautee Nacoochee Community Association and Todd is a marketing and public relations professional. Together this team gave the audience plenty of information about how to market ourselves and our work as professionals yet with consideration for the fact that we are artists and traditional marketing doesn’t always fit for us. We aren’t selling McHamburgers; we are selling a part of ourselves and, actually, ourselves.

One Form of Marketing

One Form of Marketing

The workshop touched on the importance of an artist statement and what should be included in one, then we wrote and shared “elevator speeches” which are 15 – 30 second speeches designed to inform and start a conversation about your work. I’m a member of Toastmasters International but have never tried to write such a short speech, it’s not easy but it’s very important for catching someone’s attention. I highly recommend working on creating one and learning it now.
From there we moved on to one of the hardest articles for me to write, the press release. We read through several and came to several conclusions.
1. Even artists aren’t interested in a three page press release, keep it short and simple.
2. Get your vital information to the reader within the first two paragraphs or you might lose the reader.
3. Think about what the journalist and the audience want to know, not what you want to say.
The workshop also addressed timelines in getting press release out to the media and how to find the correct media contacts. It’s no good to write the worlds best story if nobody can read it because you missed a deadline.
Any discussion about marketing would be sorely lacking if social networking were not addressed. Todd and Kathy did well by discussing ways to use Facebook and Twitter to our advantage and even sighted examples of how they have seen it used very effectively. Nobody really wants to know how many cups of coffee you drank today or if you’re pretending to be at work but really exploring Facebook, but they do want to know what interesting things their friends are doing…like going to a workshop on Marketing Your Art.
We also discussed one of my favorite marketing strategies; donating to your favorite charities. Todd and Kathy discussed it from a business point of view where concerns like target audience demographics are considered. I don’t normally take those things into consideration. When I’m donating to a non-profit it’s because I believe in the cause. I want to support what they are doing to help society. I figure, if I’m not reaching my target audience directly I may be reaching people through karma, and that can’t hurt either.
What are some ways that you have marketed your art?

17 Sep 2009 Our Planet/Our Art

This article was written in August; I’ve been slow to post it

Whether or not you believe that global warming is a problem, or just a natural, cyclical part of life (on a grand scale), you have to admit that our planet is changing. I believe that the human race is contributing negatively to that change and possibly accelerating it exponentially.

As I write this I am sitting on my deck drinking my morning coffee in the sun in Atlanta, in mid-August and I am not overheating. The thin layer of sweat and humidity that normally covers one in the South during summer is missing. It is pleasantly cool. I am thankful for the beauty of this morning but I also know that it is a fluke due in part, to the changing of our environment.

One way that I try to lessen my impact on our natural world is by considering the effect of my actions on our planet. I’d love to think that only organic food grown by local farmers is cooked and served in my pottery, but I know that isn’t always realistic, even in my own house. However, I do support my local farms and I do try to buy organic foods.

When creating art, I often turn to nature for inspiration; using natural images and earthy colors, giving people another way to view nature. Hopefully, my art will lead others to be more thoughtful about the planet and our environment. I’d like for my art to serve as a continual reminder for what a beautiful and fragile place we inhabit.

Thank you.

10 Sep 2009 Salt Glaze Workshop – Part 3
 |  Category: How-to, Workshop Reviews  | 3 Comments

Opening a kiln always gives potters the same sensation that kids feel at Christmas unwrapping their gifts.  Opening the salt kiln as the end of this workshop was no different.

Open Kiln

Open Kiln

Chris opened the kiln and let us remove our still warm pieces from the chamber.  Naturally, we said lots of “oos” and “ahs” over each piece.  Chris explained to us why we achieved the results we were seeing.  Apparently when one loads a salt kiln one needs to think about the placement of the pots & how the salt is going to impact the piece.  We had a discussion about whether to place the handles of mugs and pitchers facing in or out and what effects to expect with the different positioning.  He also explained the difference between a cross draft kiln and an updraft kiln.  The kiln he uses is a cross draft which was originally designed for soda.  Considering the results I saw and the ability to use salt or soda I’d build a cross draft kiln.

We also learned that sgraffito works best using thicker lines than what I used.  The underglaze filled in the places where I scratched in an image of a fern with very fine lines.  Chris warned me about this but I am stubborn.  The effect is more textural than visual now.  We also saw severe cracking in the thick porcelain that was overlaid onto the Lizella clay.  The effect could have been great; I intend to experiment to find a way to make the effect work.

Porcelain/Lizzela lesson

Porcelain/Lizzela lesson

One of my favorite pieces is a tribute to a salt glaze potter whose works I greatly admire, Kyle Carpenter.  The piece is a replica of one of his, and can now be found on my mantel, you won’t find it in my on-line gallery.  One day I will own an original, but this will do for now.

My Tribute to Kyle Carpenter

My Tribute to Kyle Carpenter

This piece is Highwater Clay’s Orangestone with a tenmoku glaze over a wax resist.  The dark areas are where carbon was trapped in the glaze.  I’m really happy with this piece and with the way the Orangestone looks after the salt glaze firing.  This is fast becoming one of my favorite clays.

Orangestone/Tenmoku Pot

Orangestone/Tenmoku Pot

To see more of the salt glazed pottery, please visit my on-line gallery.