Here’s another plate in this series. This is a different view of the same syrup shed I painted a few weeks ago, this plate is a few inches larger at 11 inches. I like painting the larger plates better as I can get more detail and show the vastness of the fields. I’ve also been working with more low fire glazes and washes. This plate uses a combination of colored slips (a.k.a. under glazes) and high fire glazes. I really like this view and may do some variations.
Tag-Archive for ◊ glaze ◊
When I first saw the description for this workshop I was a little doubtful; how was this process going to fill a three day workshop and who is Ryan McKearley anyway? Then I saw Ryan’s work in the Mudfire Gallery & watched him doing a demonstration. Ryan’s work is not only full of depth from the water carving but also from his use of glazes and soda firing. Ryan is very interested in form and function, it shows in his work and his attention to detail.
One of the reasons I enjoyed this workshop is because Ryan is very entertaining. The workshop wasn’t filled with uproarious laughter but more of a genial smile and quite a few chuckles yet at the end of three days we had all discovered we had learned quite a bit. Not just how to carve into clay using wax resist and water but different throwing techniques, some hand building and attaching processes, glazing tricks, how to design a and fire a salt/soda kiln, glaze recipes and even a little bit about the city of Austin, TX (where Ryan lives & works).
I highly recommend taking a workshop with Ryan, it’s very through, moves at a comfortable pace and is a good balance of hands on and lecture. I also recommend picking up some of his pottery while it’s still affordable. The Gallery at Mudfire almost sold out this weekend just from people who took the workshop.
A friend on Facebook recently posted about counting glazes instead of counting sheep when sleep is allusive. I do the same type of thing but it doesn’t normally get me to sleep, it has the opposite effect. I’ll be laying there all warm and snugly with the Whiggle as ideas start popping into my head. Which of course makes me want to jump out of bed and rush to the studio to start working on these ideas. Of course the problem with pottery is that it requires patience. When I have an idea for a great glaze design I can’t just start doing it, often the correct piece needs to be made first. Sometimes it’s several pieces in a series. These pieces have to be thrown, trimmed, dried, and bisque fired before they will ever see the glaze. Please understand, I’m not complaining, I love the process of ceramics and the time it takes. I even love the fact that, unlike some other art forms, the results are not instant; pottery always has some nervous anticipation to it. Opening the kiln is like Christmas, and I’ll never complain about that joy even when it does mean you get something that you don’t want (think pink bunny pajamas). Pottery forces us to become patient. Patience is a virtue. It’s such a nice feeling to be a virtuous potter.
Right now I have several series ideas running through my head, they have started to take shape into the clay. I’m so excited to see the results and share them with you.
This is the glaze I used as a liner in some salt fired pieces. It’s a beautiful glaze which makes a great liner with pleanty of subtle interest. It does run quite a lot; I’d suggest making certain the bottom of the put does not have a very thick coat as the glaze will run down the sides into the bottom and may cause bubbling or cracking.
40 Neph Sy
10 EPK
14 Flint
10 Gerstly B
8 Lithium
8 Whiting
10 Zircopax
1.4 Copper Carb


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